Everett Spruill

Everett Spruill was born in Birmingham, Alabama. After attending High School at George Washington Carver, in Birmingham, Everett went to Berea College in Kentucky, where he majored in business. Everett was exposed to museums, and classical music at an early age and would prove to have a great influence on his artistic development. "I really enjoyed mechanical drawing classes and wood working projects as a kid. I also had an ear for music so mom insisted I have voice and piano lessons".

EVERETTS' STATEMENT

"My creations have been categorized as Contemporary / Abstract Mixed Media Collages. I have three styles and use a wide variety of found objects, including, but not limited to, shells, magazine pages, tissue, postage stamps, various paint mediums, photographs, cut and torn hand-painted paper, air-brushed hand-cut silk-screens, drawings, and computer manipulated images.

Central themes for my creations are centered on Music (Jazz and Blues), African Cultures and the African-American Experience, and most of all “Family”. As a self-taught artist my techniques are the result of extensive experimentation but mostly from studying works of great contemporary masters. I focus on the importance of drawing, composition, tone and mixing colors in each creation. Coupled with my own sense of color and design I developed my own distinctive styles."

"Most of my creations begin with photographs or several thumbnail sketches. Harmony and contrast are important qualities I want in my work and it becomes even more important in the works I call “Intuitive Creation” (Mindscapes, Tribal Rhythms and Middle Passages Series) because these images are created mainly by letting go of conscience thoughts and relying more on instinct. Because the steps are intuitive and emotional rather than cognitive, many times the exact processes are forgotten, the end result is therefore difficult to repeat. Nevertheless, I’m satisfied with a completed work when it consist of the all important variables of line, shape, color, texture, repetition, and balance."

"The creative processes for my “Intuitive Creations” follow a number of steps.

I use gloss varnish to adhere drawings, photos, postage stamps or torn and cut paper to the substrate. Transparent tissue is applied partially covering and connecting the first images. Using a wet-on-wet technique, watercolor and acrylic washes and lines (mostly primary colors) are applied, allowing colors to run, and partially covering and connecting the adhered images into a harmonious unit." "To create textural effects, clear acrylic gel is applied by knife and scored or scraped into patterns. I then Airbrush through several hand cut stencils to apply opaque symbols and designs that will unite the composition. Accents and highlights are added with splattered and dripped acrylic paint. These steps are not always followed in this order, and some may not include all the elements mentioned."

My representational images (Jazz and Blues and Family series) include combinations of the same techniques, materials and processes mentioned previously, however, the central figure begins with a drawing, usually from photos. Paper, fabric or photos are cut to form the various sections of the image and or background and are assembeled together like a puzzle." "I work only on archival acid-free mat boards, watercolor paper, and canvas. Hardwood panels are sometimes used for smaller images and are triple primed and sealed with stain resistant varnish to prevent yellowing from the acids in the wood. Permanence and longevity are a major concern, every effort is taken to best preserve and protect the work by using archival paints (non-toxic) and substrates free of materials that shorten the life of the work. Each work is protected front and back first with mat varnish and finally with a gloss acrylic varnish.